Adele Addison
Adele Addison
۶۸ طرفدار
جدیدترینها

Messiah, HWV 56, IGH 265: "Symphony"

Messiah, HWV 56, IGH 265: "Comfort ye my people" (Tenor)

Le martyre de Saint Sébastien, L. 124: Prologue: Gentle People We Bid You Silence...

Le martyre de Saint Sébastien, L. 124: I. The Court of Lilies: Frère, que sera-t-il le monde

Time Cycle (Orchestral Version): I. We're Late
آخرین انتشارها

Handel · Messiah - Bach · Magnificat BWV 243
آخرین انتشار • آلبوم

Debussy: Le martyre de Saint Sébastien, L. 124
۲۰۱۸ • آلبوم

Foss: Time Cycle & Song of Songs
۲۰۱۸ • آلبوم

Händel: Ode for St. Cecilia's Day, HWV 76 (Remastered)
۲۰۱۸ • آلبوم
درباره
۶۸ طرفدار
۱۴ انتشار • فعال از ۱۹۶۱
Adele Addison (born July 24, 1925) is an American lyric soprano who was a figure in the classical music world during the 1950s and 1960s. Although she did appear in several operas, Addison spent most of her career performing in recital and concert. Her performances spanned a wide array of literature from the Baroque period to contemporary compositions. She is best remembered today as the singing voice for Bess (played by Dorothy Dandridge) in the 1959 movie, Porgy and Bess. Known for her polished and fluent tone, Addison made a desirable Baroque vocal artist. She can be heard on numerous recordings, of which her Baroque performances are perhaps her best work. Many of her recordings were made with the New York Philharmonic under the baton of Leonard Bernstein.
ادامهی بیوگرافی
Adele Addison (born July 24, 1925) is an American lyric soprano who was a figure in the classical music world during the 1950s and 1960s. Although she did appear in several operas, Addison spent most of her career performing in recital and concert. Her performances spanned a wide array of literature from the Baroque period to contemporary compositions. She is best remembered today as the singing voice for Bess (played by Dorothy Dandridge) in the 1959 movie, Porgy and Bess. Known for her polished and fluent tone, Addison made a desirable Baroque vocal artist. She can be heard on numerous recordings, of which her Baroque performances are perhaps her best work. Many of her recordings were made with the New York Philharmonic under the baton of Leonard Bernstein.
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