Lorin Maazel
Lorin Maazel
۷۰٫۶ هزار طرفدار
جدیدترین‌ها
Bartók: Piano Concerto No. 2, Sz. 95: I. Allegro
Bartók: Piano Concerto No. 2, Sz. 95: II. Adagio - Presto - Adagio
Cello Concerto in E Minor, Op. 85 : Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio – Moderato
Cello Concerto in E Minor, Op. 85 : Elgar: Cello Concerto in E Minor, Op. 85: II. Lento – Allegro molto
Mass in B Minor, BWV 232 : J.S. Bach: Mass in B Minor, BWV 232: I. Kyrie: No. 1, Kyrie eleison (Chorus)
آخرین انتشارها
Bartók: Piano Concerto No. 2, Sz. 95 - Prokofiev: Piano Concerto No. 5, Op. 55
آخرین انتشار • آلبوم
Elgar: Cello Concerto; Tchaikovsky: Rococo Variations
۲۰۲۶ • آلبوم
J.S. Bach: Mass in B Minor, BWV 232
۲۰۲۵ • آلبوم
Mozart: Symphonies Nos. 38 & 39
۲۰۲۵ • آلبوم
طرفداران این‌ها را هم گوش می‌دهند
Georges Prêtre
خواننده
Jean-François Paillard
خواننده
Andre Cluytens
خواننده
Teresa Berganza
خواننده
Giuseppe Verdi
خواننده
Marilyn Horne
خواننده
New York Philharmonic Orchestra
خواننده
James Levine
خواننده
Metropolitan Opera Orchestra
خواننده
Alceo Galliera
خواننده
Herbert von Karajan
خواننده
Paavo Järvi
خواننده
درباره
۷۰٬۶۲۴ طرفدار
۱۸۳ انتشار • فعال از ۱۹۶۳
Lorin Varencove Maazel (; March 6, 1930 – July 13, 2014) was an American conductor, violinist and composer. He began conducting at the age of eight and by 1953 had decided to pursue a career in music. He had established a reputation in the concert halls of Europe by 1960 but his career in the U.S. progressed far more slowly. He served as music director of The Cleveland Orchestra, Orchestre National de France, Pittsburgh Symphony Orchestra, Bavarian Radio Symphony Orchestra, the Münchner Philharmoniker and the New York Philharmonic, among other posts. Maazel was well regarded in baton technique and had a photographic memory for scores. Described as mercurial and forbidding in rehearsal, he mellowed in old age.
ادامه‌ی بیوگرافی
Lorin Varencove Maazel (; March 6, 1930 – July 13, 2014) was an American conductor, violinist and composer. He began conducting at the age of eight and by 1953 had decided to pursue a career in music. He had established a reputation in the concert halls of Europe by 1960 but his career in the U.S. progressed far more slowly. He served as music director of The Cleveland Orchestra, Orchestre National de France, Pittsburgh Symphony Orchestra, Bavarian Radio Symphony Orchestra, the Münchner Philharmoniker and the New York Philharmonic, among other posts. Maazel was well regarded in baton technique and had a photographic memory for scores. Described as mercurial and forbidding in rehearsal, he mellowed in old age.
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