Fernando Corena
Fernando Corena
۵۷ طرفدار
جدیدترینها

Don Giovanni, K. 527 : Mozart: Don Giovanni, K. 527: Overture (2024 Remaster)

Don Giovanni, K. 527, Act I : Mozart: Don Giovanni, K. 527, Act I: No. 1, Notte e giorno faticar (2024 Remaster)

Alceste, Act IV: Air of Carone. "Il faut passer tôt ou tard" (Carone)

La Serva Padrona, Act II: "Son imbrogliato io già" (Uberto)

I Pagliacci: Prologue
آخرین انتشارها

Mozart: Don Giovanni (2024 Remaster)
آخرین انتشار • آلبوم

Fernando Corena Opera Recital
۲۰۲۴ • آلبوم

Aldo Protti - Fernando Corena: Operatic Recitals (Album of 1953)
۲۰۲۳ • EP

Verdi: Falstaff; Cimarosa: Il maestro di Cappella – Excerpts (Opera Gala – Volume 14)
۲۰۲۰ • آلبوم
طرفداران اینها را هم گوش میدهند

Georges Prêtre
خواننده

Metropolitan Opera Orchestra
خواننده

Ferruccio Furlanetto
خواننده

Gabriele Santini
خواننده

Marianne Crebassa
خواننده

Danielle de Niese
خواننده

Orchestre national De La Radiodiffusion Francaise
خواننده

Bernard Haitink
خواننده

Anna Netrebko
خواننده

Solistengemeinschaft Der Bachwoche Ansbach
خواننده

Sylvain Cambreling
خواننده

Gioconda De Vito
خواننده
درباره
۵۷ طرفدار
۵۹ انتشار • فعال از ۱۹۶۲
Fernando Corena (22 December 1916 – 26 November 1984) was a Swiss bass who had a major international opera career from the late 1940s through the early 1980s. He enjoyed a long and successful career at the Metropolitan Opera between 1954 and 1978, and was a regular presence at the Vienna State Opera between 1963 and 1981. His repertoire encompassed both dramatic and comic roles in leading and secondary parts, mainly within Italian opera. He was highly regarded for his performances of opera buffa characters and is generally considered one of the greatest basso buffos of the post-war era. He was heralded as the true successor to comic Italian bass Salvatore Baccaloni, and in 1966 Harold C. Schonberg wrote in The New York Times that he was "the outstanding buffo in action today and the greatest scene stealer in the history of opera".
ادامهی بیوگرافی
Fernando Corena (22 December 1916 – 26 November 1984) was a Swiss bass who had a major international opera career from the late 1940s through the early 1980s. He enjoyed a long and successful career at the Metropolitan Opera between 1954 and 1978, and was a regular presence at the Vienna State Opera between 1963 and 1981. His repertoire encompassed both dramatic and comic roles in leading and secondary parts, mainly within Italian opera. He was highly regarded for his performances of opera buffa characters and is generally considered one of the greatest basso buffos of the post-war era. He was heralded as the true successor to comic Italian bass Salvatore Baccaloni, and in 1966 Harold C. Schonberg wrote in The New York Times that he was "the outstanding buffo in action today and the greatest scene stealer in the history of opera".
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