Orchestral Manoeuvres in the Dark

Orchestral Manoeuvres in the Dark

۳۹۶٫۱ هزار طرفدار

جدیدترین‌ها

So In Love (Remastered 2025)

Orchestral Manoeuvres in the Dark

Secret (Remastered 2025)

Orchestral Manoeuvres in the Dark

Maria Gallante (Remastered 2025)

Orchestral Manoeuvres in the Dark

Choral (Remastered 2025)

Orchestral Manoeuvres in the Dark

Drift (Remastered 2025)

Orchestral Manoeuvres in the Dark

آخرین انتشارها

Crush (40th Anniversary)

آخرین انتشار • آلبوم

Maria Gallante (Remastered 2025)

۲۰۲۵ • تک‌آهنگ

Choral (Remastered 2025)

۲۰۲۵ • تک‌آهنگ

Drift (Remastered 2025)

۲۰۲۵ • تک‌آهنگ

طرفداران این‌ها را هم گوش می‌دهند

درباره

۳۹۶٬۱۳۹ طرفدار

۵۸ انتشار • فعال از ۱۹۹۳

Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed in Meols, Merseyside in 1978 by Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals). Regarded as pioneers of electronic music, the group combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop. OMD were Britain's first performing, two-piece synthesizer band and have been described as the "original synth-pop duo"; despite a shifting line-up, the central pairing of McCluskey and Humphreys remains the group's primary identifier. In the United States, the band were an early presence in the MTV-driven Second British Invasion. McCluskey and Humphreys led the Id, a precursor group, from 1977 to 1978 and re-recorded their track "Electricity" as OMD's debut single in 1979. Weathering an "uncool" image and a degree of hostility from music critics, the band achieved popularity throughout Europe with the 1980 anti-war song "Enola Gay", and gained further recognition via Architecture & Morality (1981) and its three hit singles. Although later reappraised, Dazzle Ships (1983) was seen as overly experimental, and eroded European support. OMD embraced a more radio-friendly sound on Junk Culture (1984); this change in direction led to greater success in the US, and spawned hits including "If You Leave" (from the 1986 film Pretty in Pink). Some journalists dubbed McCluskey and Humphreys the "Lennon–McCartney of synth-pop". In 1989, Humphreys and longtime group members Martin Cooper (keyboards, saxophone) and Malcolm Holmes (drums) departed to form the spin-off band the Listening Pool, leaving McCluskey as the sole member of OMD. The group returned with a new line-up and explored the dance-pop genre: Sugar Tax (1991) and its initial singles were hits in Europe. OMD then began to flounder amid the guitar-oriented grunge and Britpop movements, eventually disbanding in 1996.

ادامه‌ی بیوگرافی

Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed in Meols, Merseyside in 1978 by Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals). Regarded as pioneers of electronic music, the group combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop. OMD were Britain's first performing, two-piece synthesizer band and have been described as the "original synth-pop duo"; despite a shifting line-up, the central pairing of McCluskey and Humphreys remains the group's primary identifier. In the United States, the band were an early presence in the MTV-driven Second British Invasion. McCluskey and Humphreys led the Id, a precursor group, from 1977 to 1978 and re-recorded their track "Electricity" as OMD's debut single in 1979. Weathering an "uncool" image and a degree of hostility from music critics, the band achieved popularity throughout Europe with the 1980 anti-war song "Enola Gay", and gained further recognition via Architecture & Morality (1981) and its three hit singles. Although later reappraised, Dazzle Ships (1983) was seen as overly experimental, and eroded European support. OMD embraced a more radio-friendly sound on Junk Culture (1984); this change in direction led to greater success in the US, and spawned hits including "If You Leave" (from the 1986 film Pretty in Pink). Some journalists dubbed McCluskey and Humphreys the "Lennon–McCartney of synth-pop". In 1989, Humphreys and longtime group members Martin Cooper (keyboards, saxophone) and Malcolm Holmes (drums) departed to form the spin-off band the Listening Pool, leaving McCluskey as the sole member of OMD. The group returned with a new line-up and explored the dance-pop genre: Sugar Tax (1991) and its initial singles were hits in Europe. OMD then began to flounder amid the guitar-oriented grunge and Britpop movements, eventually disbanding in 1996.

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