Renata Tebaldi
Renata Tebaldi
۲۳٫۵ هزار طرفدار
جدیدترینها

La Gioconda, Op. 9, Act I : Ponchielli: La Gioconda, Op. 9, Act I: Preludio

La Gioconda, Op. 9, Act I : Ponchielli: La Gioconda, Op. 9, Act I: Feste! Pane! Feste!

Tosca, SC 69, Act I : Puccini: Tosca, SC 69, Act I: Ah! Finalmente!

Tosca, SC 69, Act I : Puccini: Tosca, SC 69, Act I: E sempre lava! - Angelus Domini nuntiavit Mariae - Che fai?

Otello, Act I : Verdi: Otello, Act I: Una vela! Una vela!
آخرین انتشارها

Ponchielli: La Gioconda, Op. 9
آخرین انتشار • آلبوم

Puccini: Tosca
۲۰۲۳ • آلبوم

Verdi: Otello
۲۰۲۱ • آلبوم

Giordano: Andrea Chénier
۲۰۲۰ • آلبوم
طرفداران اینها را هم گوش میدهند

Georges Prêtre
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Marilyn Horne
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Mirella Freni
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Jussi Björling
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Rolando Villazon
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Victoria de los Angeles
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Freddie De Tommaso
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Jonas Kaufmann
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Anna Netrebko
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Orchestre national De La Radiodiffusion Francaise
خواننده

Elina Garanca
خواننده

Angelika Kirchschlager
خواننده
درباره
۲۳٬۵۲۵ طرفدار
۴۸ انتشار • فعال از ۱۹۵۱
Renata Tebaldi (US: tə-BAHL-dee, Italian: [reˈnaːta teˈbaldi]; 1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. Often considered among the great opera singers of the 20th century, she focused primarily on the verismo roles of the lyric and dramatic repertoires. Italian conductor Arturo Toscanini called her voice la voce d'angelo ("the voice of an angel"), and La Scala music director Riccardo Muti called her "one of the greatest performers with one of the most extraordinary voices in the field of opera."
ادامهی بیوگرافی
Renata Tebaldi (US: tə-BAHL-dee, Italian: [reˈnaːta teˈbaldi]; 1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. Often considered among the great opera singers of the 20th century, she focused primarily on the verismo roles of the lyric and dramatic repertoires. Italian conductor Arturo Toscanini called her voice la voce d'angelo ("the voice of an angel"), and La Scala music director Riccardo Muti called her "one of the greatest performers with one of the most extraordinary voices in the field of opera."
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